Most of us never see artists at work. Most of us never want to see artists at work. The process of visualizing, creating, refining, and polishing is the best left in the shadows. The multiple iterations required to arrive at a completed piece are neither appealing or interesting to most of us. The mental and emotional gyrations which spun and swirled in Van Gogh’s head and hand as he accelerated towards The Starry Night or Café Terrace at Night may fascinate, but they hardly make good viewing. Bach’s endless tinkering with notes and sounds while he composed the Brandenburg Concertos may appeal to the musicologist, but the rest of us are satisfied listening to the music. Nobody wants to see Meryl Streep stand in front of a mirror practicing gestures, accents, and tone while preparing for a role. The image of Anne Coates viewing reels of film in a cramped editing room, then manipulating them in search of the proper pacing for Lawrence of Arabia, is best left to film students. We just want to see the movie. The effort behind (more…)
Trask Avenue 
artist at work
Posted: September 4, 2020 in Arts, Observations and CommentaryTags: art, baseball, life, pitching, Tom Seaver
Most of us never see artists at work. Most of us never want to see artists at work. The process of visualizing, creating, refining, and polishing is the best left in the shadows. The multiple iterations required to arrive at a completed piece are neither appealing or interesting to most of us. The mental and emotional gyrations which spun and swirled in Van Gogh’s head and hand as he accelerated towards The Starry Night or Café Terrace at Night may fascinate, but they hardly make good viewing. Bach’s endless tinkering with notes and sounds while he composed the Brandenburg Concertos may appeal to the musicologist, but the rest of us are satisfied listening to the music. Nobody wants to see Meryl Streep stand in front of a mirror practicing gestures, accents, and tone while preparing for a role. The image of Anne Coates viewing reels of film in a cramped editing room, then manipulating them in search of the proper pacing for Lawrence of Arabia, is best left to film students. We just want to see the movie. The effort behind (more…)